[Long-form copy: Lofts at Rivertown]
THE LOFTS AT RIVERTOWN LEGACY. The Lofts at Rivertown is one of the few surviving architectural and historical icons of late 19th century. More than a century later, this intimate community of true-to-life lofts reveres the legacy of its first inhabitant, Frederick K. Stearns, as well as the artistic genius of its architects Frank Conger Baldwin (also a writer and civic leader), William Buck Stratton and the world-renowned Albert Kahn.
The Lofts at Rivertown is a product of the rich history of Frederick Stearns and his son Frederick K. Stearns, both major players in the growth of Detroit’s pharmaceutical industry. In 1855, the elder Stearns opened a retail drugstore in Detroit where he manufactured his own medicines in a backroom and was the first person to label medicine bottles with ingredients. In 1877, Stearns introduced Detroiters to the first telephone in the city — invented just 18 months earlier by Alexander Graham Bell — in his drugstore on Woodward and Larned. People flocked there for a first-hand look at the seemingly bizarre voice box that many believed was a hoax.
Frederick K. Stearns succeeded his father in the pharmaceutical business in 1887. In 1899, he commissioned the architectural firm of Stratton and Baldwin to construct a plant for Frederick Stearns & Company. The plant was built on three acres of farmland, originally part of the Beaufait Farm, for a projected cost of $85,000. This plant is today The Lofts at Rivertown.
In the early 20th century. Frederick Stearns & Company was growing rapidly, employing more than 2,000 workers in its heyday. To accommodate the budding company, architect Albert Kahn designed its addition in 1906, consisting of a massive 8-story reinforced concrete tower. In 1944, Frederick Stearns & Company was sold to the New York-based Sterling Drug Company, which ultimately closed the plant. The Stearns family also was known for their philanthropy and involvement in the educational community. The elder Frederick Stearns was one of the original curators of the Detroit Scientific Association and helped found the Detroit College of Medicine, which is now part of Wayne State University. His unrelenting passion for culture led him all over the world in search of artistic treasures, which included unusual, ancient musical instruments. When he died in 1907, his son donated his collection of 2.000 musical instruments to the University of Michigan. His gifts also became the core of the Detroit Institute of Arts collection of Oriental Art.
ARCHITECTURE
In addition to its rich history, The Lofts at Rivertown is architecturally significant. The firm of Stratton and Baldwin was prominent in Detroit’s arts and crafts movement of the 1920s. Master architect Albert Kahn designed the Fisher Building, the General Motors Building and numerous other structures for Ford Motor Company. He also designed the estate of Edsel Ford and the Cranbrook House in Bloomfield Hills (the former home of the Booth newspaper family). Leading members of the Bauhaus movement emulated Kahn’s aesthetic, which defined industrial architecture of the 20th century. The exterior is made of brick and stone, topped with Jacobean gables, finials and a clock visible from East Jefferson. Six bays of windows with limestone surrounds flank the pavilion. The complex is U-shaped and features both Jacobean and arts and crafts elements. The central bay contains a dramatic recessed stone entrance. In the center of the complex rises an eight-story industrial structure with large clusters of steel industrial windows. The building exemplifies the aesthetic union of arts and crafts and industrial architecture.
The Lofts at Rivertown was adopted in the National Register of Historic Places on Oct. 14. 1980.
Legend has it that every once in a while residents hear a distant phone clanging on the third floor. Hello…Stearns?